Kylie Minogue, 13 storeys above Melbourne.
↘21 days. 13 storeys. 7 days to paint an icon.
For the 2026 Toyota AFL Grand Final, Juddy Roller commissioned, curated and produced a monumental portrait of Kylie Minogue by acclaimed Australian artist Adnate. The work was created for Telstra and the AFL, alongside Mushroom Creative House, who led the Grand Final entertainment.
The portrait rises 13 storeys above Flinders Street on Clement House, directly opposite Flinders Street Station, and looks east across the city towards the MCG, where Kylie headlined the Telstra Pre-Game Entertainment.
From the first phone call to the deadline took 21 days. Once everything needed to get him onto the wall was in place, Adnate had seven days to paint it. The final strokes went on about 20 minutes before Kylie arrived to see it.
Days from first call to deadline
Storeys on Clement House
Days to paint the portrait
Cans of spray paint
Minutes to spare before the reveal
The Brief
Mushroom Creative House first called about a mural of around two storeys to celebrate Kylie’s homecoming for Grand Final week. There was one problem: there wasn’t a wall. Within days, the ambition had become Clement House, a blank 13-storey facade in one of Melbourne’s most visible locations. The deadline didn’t move.
Our Approach
Engaged as commissioner, curator and producer, Juddy Roller brought long-time collaborator Adnate onto the project. We then ran permissions, access, engineering, cranage and swing-stage installation all at once, because every day lost was one less day to paint.
The Outcome
A 13-storey portrait of one of Australia’s most recognisable performers, above the centre of her hometown and facing the MCG. On reveal day, Kylie stepped onto the swing stage, rode up the building and added the finishing touches herself.
“When we got the first phone call, we had 21 days until the deadline. At that point, there wasn’t even a wall.”→ Shaun Hossack
Founder & Creative Director
Juddy Roller
Nowhere to hide, and no time to lose.
Engineered Access
Michael Griffin and the team at Rigid Scaffolding designed, engineered, approved and installed the suspended swing-stage system in time.
Cross-Site Cranage
The adjoining Lendlease construction site let us crane the swing-stage equipment into position, saving days we didn’t have.
Permits & Stakeholders
Building owners, construction teams, the City of Melbourne and the Victorian Government were all aligned in a matter of days.
Painting in Public
Adnate and a two-person painting team worked down the building for seven days, in full view of thousands of commuters passing Flinders Street Station.
Directly opposite Flinders Street Station, one of the busiest corners in Australia.
Welcome home, Kylie.
On reveal morning the team was still painting. About 20 minutes before Kylie arrived, the final work was done. She walked onto site, stood beneath a 13-storey portrait of herself, then stepped onto the swing stage and added the finishing touches.
That Saturday, she headlined the Telstra Pre-Game Entertainment at the MCG, the stadium her portrait looks towards.
More landmarks.
Got a wall, a deadline, or both?
This project shows what Juddy Roller does best: turning an ambitious idea into landmark public art, with the curation, production and stakeholder management to deliver it when the timeline says it can’t be done. After more than 15 years of putting artwork onto buildings, silos and public spaces, this one stands apart for its combination of scale, location, subject and time.