Wall to Wall Mordi Village

image of people gathering around a street artist to watch him paint

City of Kingston, Victoria | 2024–2025

Key Outcomes and Performance Indicators

Key Outcomes & Performance Indicators

Across two festival editions, Wall to Wall Festival delivered measurable cultural, economic, and community outcomes for Mordi Village:

  • 20+ permanent large-scale murals delivered by leading Australian and international artists

  • 10,000+ attendees in 2024, with a 15–20% increase in visitation in 2025

  • 300% economic uplift reported by local traders during festival periods

  • 500,000+ social media impressions generated in 2025

  • 163 Earned Media Pieces - Including Channel 10 News' Must Do Melbourne

  • 99.4% community satisfaction, with respondents (327 total respondents) rating the event “very satisfied” or “satisfied.”

  • Creation of a permanent, self-guided street art trail supporting year-round visitation

These outcomes were formally recognised by the City of Kingston as contributing directly to precinct revitalisation, local business growth, and long-term cultural value.

Project Summary

In 2024 and 2025, Mordi Village became the backdrop for one of Victoria’s most successful recent street art precinct transformations, delivered through the Wall to Wall Festival in partnership with the City of Kingston.

What was previously a quiet, under-recognised industrial pocket of Mordialloc is now a vibrant outdoor gallery, a walkable cultural destination defined by permanent large-scale murals, activated public space, and sustained visitation beyond the event period.

Across two festival editions, Wall to Wall transitioned from a live cultural event into a long-term placemaking asset, embedding art into the fabric of the precinct while delivering immediate economic, cultural, and social benefits for the local community.

The Challenge

Mordi Village had strong local businesses and creative operators, but lacked a clear identity, destination appeal, and foot traffic beyond peak trading hours.

The City of Kingston identified an opportunity to:

  • revitalise the precinct without major capital works

  • strengthen local business performance

  • create a cultural drawcard that lived beyond a single event

  • build a legacy asset for residents and visitors alike

The Approach

Curated and delivered by Juddy Roller, Wall to Wall Festival was introduced as a two-year, place-based cultural intervention, rather than a one-off event.

The approach focused on:

  • permanent, high-quality murals by leading Australian and international artists

  • deep collaboration with traders, property owners, and council

  • live painting as a public spectacle, drawing people into the streets

  • a festival program that layered food, music, tours, workshops, and family-friendly activity

  • the creation of a self-guided art trail to ensure long-term value

The Festival Experience

The live festival weekends in April 2024 and April 2025 brought the precinct to life with:

  • live mural painting across multiple sites

  • guided street art tours

  • artist talks and open studios

  • live music and DJs

  • food trucks, tastings, and local hospitality

  • markets, workshops, and youth engagement programs

The result was a high-energy but inclusive street festival that attracted locals, families, and visitors from across Melbourne.

Legacy

Crucially, Wall to Wall did not end when the paint dried.

The completed murals now form a self-guided street art trail, encouraging repeat visitation and positioning Mordi Village as a permanent cultural destination within Melbourne’s south-east.

The project aligns with Kingston’s broader Economic Development Strategy and Council Plan, demonstrating how curated public art can function as cultural infrastructure, not decoration.

Why It Worked

Wall to Wall’s success in Mordi Village came down to:

  • expert curation with cultural credibility

  • permanent outcomes, not temporary spectacle

  • strong council leadership and trader buy-in

  • a festival model that prioritised quality over quantity

  • an understanding of art as a long-term place-shaping tool

As noted by Kingston’s Mayor, the festival has left “a lasting legacy” and provides a proven model for other activity centres and communities seeking meaningful revitalisation

The Art Lives On

The defining feature of Wall to Wall is permanence.

Murals commissioned through the festival:

  • Become landmarks and meeting points

  • Function as tourism assets and visual identifiers

  • Continue to generate visitation long after installation

This is why Wall to Wall is best understood not as an event, but as cultural infrastructure - low-cost relative to major capital works, yet capable of delivering immediate and compounding impact.